In total control of his array of musical devices (electric and acoustic), he blends spaced-out rhythms of dub reggae with huge bass drops; throws sixties-movie-soundtrack spanners into the works; Miles Davis muted horns; haunting Morricone melodica; sleek, lizard lounge music. This is not about control; this is about feel, about atmosphere, the dynamics of the creative process using machines, designed for the purpose. The beauty of the JBR project is the process does not get in the way of the outcome.

Brian Faloon, Stiff Little Fingers